Just in time for  holiday gift giving a flurry of design books have been released ; offering creatives and clients inspiration. Here are the top ten ( in no particular order) on my wish list:

1.

Live, Love and Decorateby Martyn Lawrence Bullard

With the release timed with the launch of Bullard’s fabric collection for Schumacher and his design center speaking tour, get a copy and have it signed as a gift for a fellow design pro. The book  shows off the author’s mastery of the dramatic and balance between contemporary and traditional.

2.

Celia Birtwell

Considered one of the most influential textile designer of  this generation, muse to David Hicks and friend of the Beatles, Jagger and Picasso this book , British print designer, Celia Birtwell, is celebrated in this new publication. Her beautiful hand painted prints have appeared on apparel for former husband, Ossie Clark, as well as on new collections for Topshop and John Lewis. This book is a wonderful addition to any surface designer’s bookshelf.

3.

The Impossible Collection of Fashion by Valerie Steele. I LOVE LOVE LOVE this book!

From Poiret to Pucci, Doucet to Dior, Vionnet to Valentino, Valerie Steele,  chief curator of the Museum at the Fashion Institute of Technology (MFIT), selects the one hundred most iconic dresses of the twentieth century. This magnificent collection, while certainly subjective, is sure to receive gasps of pleasure as well as of surprise. Steele’s selection, hand-picked for this luxury volume presented in a linen clamshell case with a cutout metal plate, astounds in every regard. 
 

4.

Diana Vreeland: The Eye has to Travel

Having always  admired the legendary “High Priestess of Fashion,” Diana Vreeland’s impact on fashion and style was legendary. I am looking forward to getting a peek inside her rich life. With more than 350 illustrations, including original magazine spreads and many famous photographs, this intensely visual book shows fashion as it was being invented, and how Vreeland shaped American taste through her superb vision.

5.

For my Francophile fix- In The New French Interior by Penny Drue Baird, authority on all things French, moves beyond the traditional historic styles to explore the design elements that make up the fresh, clean look. To illustrate the style, Baird draws on ten of her own recent projects, apartment and house installations, and presents French precedents and influences through specially commissioned photography of Parisian interiors.

6.

My Midwestern roots draw me to Chicago Spaces published by Chicago Home and Garden and hopes to vanquish the notion that we only design conservatively. The book showcases spaces that the editors loved or spoke to them representing a broad range of styles.

7.

Sister Parish, American Style  by Martin Wood revisits her sumptuous and quirky interiors. Her trompe l’oeil sawgs and cascades come to mind.

8.

Katie Ridder: Rooms by Heather MacIssac is the designer’s first book showcasing her  eclectic cool  interiors.

9.

The New Bespokeby Frank Roop lets the reader into his head as he works through the entire creative process- from inspiration to installation.

10.

Influential design blogger Grace Bonney penned  Design*Sponge at Home,the ultimate design manual for her fans. This says it best- “ Thank you,” wrote a reader to Design*Sponge creator Grace Bonney, “for teaching me that houses don’t have to be frumpy and formal. They don’t have to be matchy-matchy or rigidly modern.”

OK… 2 more I can’t seem to do without…

11.

Patina Styleby the Giannettis

12.

The Way Homeby Jeffery Bihuber

I am officially obessessed ( and have been for years) with vintage art posters and Maitre de l’ Affiche.   

Drawn to poster art by their vibrant dramatic scale and colors, I  also love them for the peek inside the world of Paris at the turn of the century. I own several  Cappiellos and have introduced art posters  to clients, used them as inspiration and decorated around them, but I hadn’t thought about them on a window until now. ( Don’t ask me why! )  Creatively Different Blinds suggests just that – why NOT chose vintage poster art imagery and print them on blinds, shades or fabric to give your clients an authentic edge using the bold designs of these famous prints. BTW, Texton and is another company working in the digital printing arena; working with the Frank Lloyd Wright Foundation . Adaptive Textiles and Spoonflower will print fabrics for you.

In the 1890s the buildings of every big city were covered by large colorful advertising posters. The poster movement played a major part in codifying, glorifying and perpetuating the ebullient period of La Belle Epoque.  Jules Cheret, the father of poster art, whose unique combination of artistic, technical and entrepreneurial talents paved the way for a true industry. The poster had not only caught the fancy of the public, but its best examples were already being regarded as works of art to be exhibited, reviewed in journals, collected and reprinted in a manageable form. During the poster heyday, Cheret also published “Les Maitres de l’Affiche” (Masters of the Poster) reduced lithographic versions, in authentic colors, of the best posters of Europe and America. There were 256 color lithographs in the collection, reproduced from the original works of ninety-seven artists in a smaller 11 x 15 inch format. The varied selection of prints were sold in a package of four and delivered monthly to subscribers. The collection was issued as separate numbered sheets and in the margin at the right was a blind embossed stamp of authenticity. Working in a dressing room or bedroom? Look at some of the great fashion illustrations and magazine covers for roller shades.

Game rooms, library, home theater, sophisticated man cave? Imagine liquor or wine ads, auto racing or sports and entertainment  themes as motorized window coverings on those windows.

 Focused on beautiful imagery and delicious typography, it’s a genre that works in so many different interior settings to inspire fabrics, textiles and accessories and mood through color and form. Plus, digitally printed on blinds or shades is a inexpensive way to start collecting.

If  you’re looking for patterns rather than figures, ads or depictions of events, introduce some art deco influences based around dress fabric prints from  F. Ducharne  or Arthur Sanderson and Sons.

So now I am thinking about where I can use the poster that has been haunting me lately…..

Interior Design magazine has announced  the finalists for its BOY( Best of the Year) awards today.. I also find it interesting to follow the contest- especially to see what they see as the best textiles and of course, window treatments and I always vote. The winners will be announced December 1st at their gala in NYC.

See the finalists for Window Treatments below and to see the other finalists click HERE

Athey Shade featuring Chilewich  in collaboration with DFB   

Collaboration between Chilewich and DFB for the Athey Shade line (introduced in 1928 by Bronx Window Shade – it’s the oldest dual operation pleated shade still in production today) This is the first time use of Chilewich signature woven textiles for Athey window treatments. 5 weaves – 40 colors

 CONRAD Original Sunshades, Wintersea Weave No.1762 by CONRAD

  Soft, cool grey with subtle depth and texture, the Wintersea window shade is handcrafted of ramie and palm fibers and white warp threads in a smooth weave that can live in harmony with a traditional or contemporary

Natural Rollershades by Hartmann&Forbes    

 The New Realism  by Hunter Douglas Hospitality    

The New Realism blends the notion of foregrounds and backgrounds, merging layers. The result provides an opportunity to take an ordinary or everyday sight and re-perceive it, revealing its beauty and uniqueness

Do you agree?  Is there a product mising that you think should be a finalist? Comment below:

Let me introduce Eun il lee, master Korean textile designer and partner in Artvivant Textiles. Lee is a hidden gem in the textile world; creating inspirational and unique textiles for Coulisse and  Nobilis along with his own firm. Both collections contain stunning textiles with a focus on window coverings as their end use. 

 We recently caught up with Lee and his partner Terry Bayless to discuss his collections and the process. The textiles are produced in the Philippines to take advantage of the natural fibers Asia has to offer; it’s  a varied range of materials – beads, leather, silk, branches, raffia.  Eun il lee’s textiles strike a balance between ancient and modern fibers combined with century old Korean looming techniques. The list is long and  I am always inspired by it. 

Nil’s style philosophy comes from the ying and yang.  This can be the connection between God and man, God and nature, or man and nature. Yin Yang is also present at more personal level- relationships between man and his or her history, home, parents and friends. Nil weaves these relationships into his fabrics.

Nil explains,  “I have a certain feeling with each material. My perception of silk, for example, is the womanly. The combination of hard fibers like abacas and pineapple and soft materials such as silk is exactly the philosophy of Yin and Yang. When you put them together they fight and harmonize to create a new personality.”

 Nil sees his loom as the tool for his creations- the fabrics are his painter’s canvas or the music’s notes. He says it best: “The fabrics are my poems, my songs, my paintings.” The handloom used to create his emotional textiles, was devised about 2,000 years ago and was brought to England by the Romans. The process consists of interlacing one set of threads of yarn (the warp) with another (the weft). The warp threads are stretched lengthwise in the weaving loom. The weft cross-threads, are woven into the warp to make the cloths.

Innovative materials are often incorporated into the designs, via traditional back-strap weaving. Artvivant focuses on blending natural fibers in such a way to produce a quality level similar to modern man made fabrics, for example the piña silk or pineapple thread which is the base material for many of the designs, is traditionally used for rope making.

The incorporation of bamboo, sticks and buri reeds provide horizontal strength and stability, which eliminate the need for cross bars in roman blinds, and make for elegant panel glides, room dividers, or roman blinds.

I’m forecasting textiles with a bright & youthful styling  and a new breed of intense, yet understated luxury that is meant to be admired rather than envied. Design studios at Surtex and Heimtextil said one of the strongest demands they have been receiving is for hand-painted designs, many noting that hard lines and computer-generated creations are less in demand. I concur that the free flow of the hand is growing in popularity and that artisan looks are  key.

What better way to do that than with florals. These florals are not the viney, mid size motifs from past years. Those have given way to large sometimes ethnic influenced full blown blooming florals in size, scale and motif.   

Pillow: Bluebellgray Fashion: Christopher Kane

Big blooms are making an impact in both fashion+ home. One of our favorites is Bluebellgray.

 We saw this new fabric collection at M&O introduced by two young gun Scottish designers influenced by a love of color and all things floral.  The designs are something unique and special; each design is painted by hand in the Bluebellgray studio before being printing onto natural cottons and linens using state- of- the- art digital printing.

 Digital printing enables every brushstroke and color to be captured, enhancing the feel of the hand painted design. The pieces above have a sense of provenance and the designer behind the product, adding to the feeling of exclusivity. (Hard to believe they are digitally printed!)

 Shortlisted for an Elle Decoration Design award at TENT London last month for their collaboration with Roger Lewis, the design philosophy behind the brand adheres to the ‘eclectic mix’ school of thought.  As Fiona says ‘it’s ok when things don’t match, if you love it- go with it!’ The designs are aimed at people looking for something unique and individual for their home, an antidote to mass production.

More Evidence:

Amrapali Fall/ Winter 2011 Designer’s Guild

Collier Campbell for Fabricut VPR 36"

Catalina for Duralee

Wall panels from Jakob Schlaepfer